Five Sound Questions to Gordon Ashworth
I recently had the pleasure to support Gordon Ashworth in Utrecht, The Netherlands. Using only a handheld recording device playing recordings made during his travels and two fourtrack cassettedecks sharing a tape-loop, he played rich textures interwoven with noisy field recordings adding layer upon layer as he went along.
His album S.T.L.A. definitely captures the same spirit. Gordons music walks the fine line between abstract and melodic. As I was quite intrigued by his album, I decided to ask him for the Five Sound Questions series.
More sounds and info can be found at www.gordonashworth.com.
1. What sound from your childhood made the most impression on you?
An old grandfather clock in our living room that played “Westminster Chimes.” It played little versions of this melody in E major every 15 minutes for like 18 years of my life. It was next to the upright piano my Mom used to play, so that side of the living room was always associated with music.
2. How do you listen to the world around you?
Obsessively, because I’m always listening for interesting sounds, and because I have problems with my ears and I’m constantly adjusting pressure or analyzing my hearing quality. When I travel, I’m always seeking sounds and chasing them for field recordings, which is a strong reason that I like to tour alone. I’ve gotten used to finding and using public maps after getting lost while following sounds in new places.
3. Which place in the world do you favor for its sound?
Once I was inside the narrow spiral staircase of the cathedral in Köln, Germany when the bells began to ring… that was a very heavy acoustic experience. I love the surreal mood that surrounds bells drifting through a city at morning and evening, something seemingly common in Europe but rare in the USA. I really like street musicians and the cries of street vendors, especially in Mexico. I’d like to travel through a lot of Latin America and the Caribbean for this reason. I remember hearing beautiful early morning sounds once in Adelaide, Australia. I like how Napoli sounds like chaos.
4. How could we make sound improve our lives?
Music is so closely connected with emotion and empathy, it seems obvious that it can powerfully effect and help people emotionally. We could also benefit from a lot more quietude, especially those of us that live in dense, urban environments. If people would generally open up to sound art, it would be really rewarding. I think there are still a lot of people that think art must be visual, and sound must be musical.
5. What sound would you like to wake up to?
Real silence.
Thanks Gordon! Also read the answers of other artists in the Five Sound Questions section.