We’ve seen the works of Paris-based artist Ryoji Ikeda before. They are often raw, glitchy works exploring data sonifications and, more recently, the combination with visuals.
Ryoji’s latest work, or rather update of the work superposition is described as follows:
A multimedia music, visual, and theater work at the intersection of art and science, superposition, inspired by the subatomic world, mines the notion that it is not possible to fully describe the behavior of a single particle except in terms of probabilities. The work is an immersive experience, an orchestrated journey through sound, language, physical phenomena, mathematical concepts, human behavior, and randomness, all simultaneously arranged and rearranged in a theatrical arc that obliterates the boundaries between music, visual arts, and performance.
To achieve this, Ryoji has two performers generate the materials live; videos, point clouds, text, sounds, and superimposes these over 21 screens. Premiering in the US this month on October 17th and 18th at the Metropolitan Museum of Art in New York.